DaVinci Resolve 16.1Disponibile la versione DaVinci Resolve Studio 16.1

Blackmagic Design DaVinci Resolve 16.1 ora disponibile !

Blackmagic Design ha reso disponibile la versione definitiva di DaVinci Resolve 16.1, un importante aggiornamento per la pagina Cut. La prima novità è il rivoluzionario Sync Bin, che consente di alternare clip provenienti da più camere in perfetto sincrono con l’indicatore della timeline. Così facendo passare da un’angolazione all’altra è ancora più facile e veloce, e in perfetto sync!

DaVinci Resolve 16.1 offre anche la funzione di rilevamento di edit ripetitivi Boring Detector, che evidenzia gli edit troppo lunghi per poterli perfezionare con altre riprese o tagliarli. Lo strumento di edit Close Up è stato nettamente migliorato grazie al riconoscimento facciale, che rileva e posiziona automaticamente i visi al centro dell’immagine in primo piano. Le novità sulla pagina Cut interessano anche l’interfaccia utente, ora con uno snapping più dinamico quando si tagliano o spostano le clip. La timeline è stata arricchita con righelli e reticoli più chiari, con una forma d’onda più accurata nella timeline inferiore e con nuovi elementi grafici per identificare facilmente i piccoli tagli nella timeline superiore. Se si utilizza DaVinci Resolve Editor Keyboard, le operazioni effettuate nella nuova finestra delle transizioni e di immagine nell’immagine sulla pagina Cut si possono eseguire comodamente sulla tastiera.

L’aggiornamento contiene anche decine di funzioni e miglioramenti, DaVinci Resolve 16.1 velocizza nettamente il rendering delle clip non compresse DNx che non contengono cambiamenti, ed è possibile copincollare le transizioni tra più punti di edit. Ci sono opzioni addizionali di compositing per i plug-in Resolve FX dei raggi e dei bagliori, un nuovo plug-in Resolve FX di animazione stop motion, il supporto per i progetti in 96kHz e 192kHz, e una migliore ricerca degli archivi sonori.

Questo aggiornamento offre il supporto per i predefiniti di Pocket Cinema Camera sugli strumenti di tracciamento 3D della camera all’interno di Fusion, consente di rinominare e riutilizzare le regolazioni multi-clip, offre animazioni Position con keyframe più armoniosi, visualizzatori dello spazio colore CIE più accurati, compatibilità con i canali alfa dei plug-in ResolveFX e OpenFX, e molto altro.

DaVinci Resolve 16.1 è disponibile per il download su www.blackmagicdesign.com/it/support/

Tutte le novità di DaVinci Resolve 16.1

Cut

  • Sync Bin view which shows synced clip cutaways for the current shot on the timeline in a live multi-view for up to 9 cameras
  • Sync Clip window to perform timecode based, audio waveform based and in or out point based syncing for clips
  • Live overwrite from the Sync Bin multi-view where the desired camera number can be pressed on the keyboard and the cut away length can be adjusted live with the scroll dial
  • Support for automatically grouping shots from one camera by analyzing timecode and camera number metadata
  • Close Up is now powered by the DaVinci Neural Engine to automatically identify multiple faces in the clip and reframe and zoom in on the subjects
  • Ability to extend the timeline from the Sync Bin view to easily find the next edit for your timeline
  • Smart Indicators on the timeline which show where the closest edit points are based on the playhead position
  • Boring detector with timeline indicators to detect edits which are running too long
  • Jump cut detector with timeline indicators for flash frames and jump cuts
  • Support for a new transition dialog to quickly find and apply the desired transition to the closest edit point using the scroll dial on the DaVinci Resolve Editor Keyboard
  • Support for a new picture in picture mode to quickly apply a picture in picture edit by easily selecting the image quadrant using the scroll dial in the DaVinci Resolve Editor Keyboard
  • Support for a new blended scroll mode in the DaVinci Resolve Editor Keyboard that dynamically toggles between scroll and jog transport
  • Support for a split clip action in the toolbar
  • Support for performing a slide edit by Alt/Option + dragging the timeline clip overlay
  • Support for adding bins and moving clips between bins in the media pool
  • Improved representation of small cuts on the top timeline
  • Improved thumbnail clip hover behavior when selecting and previewing source media in the viewer
  • Improved responsiveness when scrubbing the in and out points for long clips in range editor

Edit

  • Support for using embedded timecode for clip based formats when the project setting is set to use frame count timecode
  • Ability to copy and paste transitions across multiple edit points in the timeline
  • Support for switching between clip and edit point selections on the timeline
  • Support for temporarily toggling between selection and trim edit mode during an edit action
  • Support for track name and track number burn-in and render tags
  • Support for previewing audio when dynamic trimming at greater than 1x speeds
  • Support for dragging adjustment clips to the media pool
  • Support for renaming adjustment clips in the inspector
  • Support for showing or hiding individual panels using keyboard shortcuts
  • Improved default multicam naming behavior
  • Ability to name angles after clip names or file names when creating a multi-cam clip
  • Support for matching a multicam edit frame to the underlying source clip
  • Support for switching to the correct multicam angle when performing a multicam match frame
  • Improved graticule and timecode display on timeline rulers
  • Support for opening Final Cut Pro 7 XML files from Finder to import media or timelines on macOS systems
  • Alt/Option-clicking on a track destination selector on the edit timeline will now exclusively select that track
  • Support for tooltips to show track names in the mini track view
  • Support for automatically selecting the newly added take in the take selector
  • Improved dual screen behavior for the edit page with support for single viewer and full height metadata and effects library
  • Improved performance when analyzing clips for detecting and classifying people
  • Improved easing behavior when applying smoothness to position keyframes
  • Improved blade behavior when there is a clip selection
  • Improved behavior when navigating between clips and edit points on the edit timeline when subtitles are present

Fusion

  • Support for reading media with super scale applied in the media pool
  • Support for Blackmagic Pocket Cinema Camera presets in the Camera3D and CameraTracker tools
  • Improved memory management on compositions with multiple input layers
  • Improved memory management on multi-GPU systems
  • Improved viewer interactivity and playback performance on single GPU systems
  • Improved render all savers status display
  • Support for ACEScg as a gamut option

ResolveFX

  • ResolveFX Stop Motion
  • ResolveFX and OpenFX plugins can now process and modify the alpha channel
  • Support for additive compositing for ResolveFX Light Rays and ResolveFX Glow
  • Support for automatically enabling usage of OFX alpha for ResolveFX Match Move and ResolveFX Drop Shadow

Color

  • Support for viewing flags applied on the current clip on the video monitoring output
  • Support for limiting viewer overlays in HDR mode to 100 nits
  • Support for an option to update the shared node grade from a version stored in a gallery still
  • Support for stereoscopic controls in the Blackmagic DaVinci Resolve Mini panel
  • Support for OpenFX controls in the Blackmagic DaVinci Resolve Mini panel
  • Support for generating high resolution 65-point cube LUTs from color page thumbnails
  • Ability to paste a power window by appending to the existing windows from the Power Windows option menu
  • Support for a user preference under color to restrict node navigation to color corrector nodes and avoid mixer nodes and splitter and combiner nodes
  • Improved CIE scopes with a 1976 u’v’ view and the ability to show an additional reference gamut
  • Improved color match processing powered by the DaVinci Neural Engine
  • Ability to step the timeline wipe frame forward and back from the view menu and using the relevant shortcuts
  • Support for previewing timeline clip grades from the gallery when live preview is enabled
  • Support for a 2.0:1 output blanking preset in the timeline menu
  • Support for Fujifilm F-Log colorspace
  • Restored menu entries for half step printer lights in the color application menu

Fairlight

  • Support for 96 KHz and 192 KHz sample rates at a project level for DaVinci Resolve Studio
  • Support for clipping indicator for main buses on the Fairlight mixer
  • Improved sound library search with support for binary and wildcard searches
  • Support for enabling extended bounce tail durations from the option menu for audio clips with reverb and other tail effects
  • Support for customizing the tail duration threshold for reverb and other tail effects
  • Support for automatically enabling Insert In for an audio track when manually patching track inputs
  • Improved performance when loading and switching timelines
  • Improved performance when generating waveform profiles for nested timelines
  • Improved peak hold and decay behavior for meters in FairlightFX plugins
  • Support for displaying and persisting individual audio effect windows on top of other windows

Media e consegna

  • Ability to preserve video essence for faster rendering of uncompressed clips without content changes
  • Support for decoding and encoding ProRes IMFs
  • Support for decoding and encoding DNxUncompressed half float formats
  • Support for decoding IMA4 format audio in QuickTime clips
  • Support for decoding floating point audio in QuickTime clips
  • Support for a preference to stop renders when a frame or clip cannot be processed
  • Support for decoding floating point TIFF images
  • Support for decoding DPX 10-bit RGBA files
  • Support for encoding AVC Intra 50, 100 and 200 on DaVinci Resolve Studio
  • Support for user selectable audio sample rates for timeline renders
  • Improved performance when decoding H.264 and H.265 clips using GPU acceleration on AMD graphics cards
  • Improved encoding to Panasonic SHV 8K with support for 50fps in DaVinci Resolve Studio
  • Improved support for reading QuickTime container metadata
  • Ability to disable video on Pro Tools and audio only exports
  • Support for exporting EDLs with multiple audio tracks
  • Ability to render adaptive audio tracks as discrete mono channels
  • Ability to export subtitles when exporting a timeline to Pro Tools using the deliver page preset
  • Support for rendering embedded audio timecode for synced audio clips when using the Pro Tools export preset
  • Support for GPU accelerated debayering on CUDA systems when decoding ARRIRAW clips using the ARRI SDK Full Res debayer
  • Improved Vimeo render settings with options for setting description, visibility and password for the uploaded video
  • Support for a warning when exporting an IMF or DCP package with an incorrect audio track setup
  • Support for decoding spanned AVCHD MTS clips
  • Improved playback speed when decoding JPEG 2000 clips
  • Improved performance when media managing long wav files
  • Improved performance when rendering QuickTime clips to network mounted drives
  • Improved performance when switching to bins that contain a large number of clips
  • Improved performance when deleting a large number of media pool clips
  • Improved behavior when rendering a single multi-channel audio track as individual wav files
  • Improved ProRes 4444 playback performance
  • Support for identifying and importing multiple Panasonic P2 shots in a single folder as separate clips

Generali

  • Support for a Clean Feed viewer mode on an additional display on DaVinci Resolve Studio
  • Ability to halve the current playback speed as well as playback at half, quarter and 1/8th speed using the Play Slow command
  • Support for additional flag and marker colors
  • Support for resolving the good take tag to # instead of 1
  • Ability to repeat alternate frames for 48fps clips in Clip Attributes to emulate 24fps capture and playback
  • Support for retaining the original creation date metadata when restoring or importing projects
  • Improved behavior when editing parameter values using Wacom tablets
  • Improved playback performance in the media, edit and cut pages
  • Improved performance when live saving projects
  • Improved performance when saving projects in collaboration workflows
  • Improved playback quality for variable frame rate QuickTime files
  • Improved scripting API with support for deleting a project
  • Improved scripting API when getting and setting frame rate and super scale properties from project settings and clip attributes
  • Support for disabling unbuffered I/O for any media storage location on macOS systems
  • Support for decoding ALAC files on Windows and Linux systems
  • Support for an option to optimize projects in disk databases by Option/Alt right clicking a project in the project manager
  • Support for accessing and editing project notes from the File menu
  • Support for choosing the preferred network interface from the project server application when sharing databases and generating access keys
  • General performance and stability improvements